Choice Time at Pacific Northwest Ballet

In kindergarten, almost every kid has the same favorite subject in school – Choice Time. Choice time usually disappears in third grade, but when it does appear in later life, it’s usually still a favorite. For me, that means the annual Director’s Choice program at Pacific Northwest Ballet. Of course, it’s the director’s job to pick the programs, so in a sense every program is the director’s choice. But the idea behind Director’s Choice is that for this one program, the director picks ballets he likes best without consideration for budgets and ticket sales. I doubt that the director is ever free from those considerations, but it’s a nice idea and it is true that Director’s Choice includes more premieres and bolder works than other programs throughout the season. Which is why I always end up liking it best.

This year was even more special to me, because for once, I only brought my kids to the introduction of the blog post, but was free to attend and enjoy the actual ballet for myself, without consideration for what kind of value it may have for kids or how to help kids understand and enjoy it. Even better, my companion for the evening is a dancer herself, so I could share her insights that I would never get on my own. Continue reading

The Vertiginous Thrill of Forsythe

Photo by Angela Sterling for Pacific Northwest Ballet

Photo by Angela Sterling for Pacific Northwest Ballet

Before I saw Pacific Northwest Ballet’s all Forsythe repertory The Vertiginous Thrill of Forsythe, I never realized that in some ways, the avant-garde contemporary ballet that thrills me has more in common with the straight-laced classical ballet that puts me to sleep than it does with anything that came between. Continue reading